Astrid – Page 83 – Astrid Volquardsen

25 Jan 2009

Mal was anderes

by Astrid | 1

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Schon mal bei 4°C gemalt? Die Sonne … Read More

17 Jan 2009

Sennelier in Paris

by Astrid | 3

Das könnte Dich auch interessieren: Degas and the nude – exhibition in Paris Sennelier Pastel Card: Casey Klahn Sennelier Pastel Card: Claude Texier Malgrund: Sennelier Pastel Card

11 Jan 2009

Sehen

by Astrid | 1

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Je länger ich mich künstlerisch mit meiner … Read More

30 Dec 2008

Kreativität

by Astrid | 5

Das könnte Dich auch interessieren: Freie Pastellmalerei (FP 03/17#1) Vortrag: Mythos Kreativität bei boesner in Hamburg Altona Vortrag: Mythos Kreativität am 26. Mai in Buchholz Painting grounds

21 Dec 2008

Winterliche Marschlandschaft

by Astrid | 2

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Föhrer Winterstimmung , 2008, Pastellkreide, 12×34cm © … Read More

16 Dec 2008

Das Biikebrennen (II)

by Astrid | 2

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Da ich malerisch so schön im Schwung … Read More

15 Dec 2008

Das Biikebrennen

by Astrid | 0

Jedes Jahr am 21. Februar erleuchten die Biiken der Nordfriesen das Land – ein Brauch, der ursprünglich nur auf den Inseln abgehalten wurde.Das friesische Wort Biike ist eine Bezeichnung für das deutsche Wort Barke, womit ein Feuerzeichen gemeint ist. In … Read More

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About me

I am fascinated by the light conditions of the countryside, particularly in Northern Germany. I grew up in Hamburg so I am used to the rugged countryside and sometimes bleak weather and light conditions. The light in northern country landscapes is very special and it is indescribably beautiful. It touches my soul and opens up my heart when I visit the coast and feel the elemental force of the sea.
As opposed to my seascapes, I am very interested in the closely cropped views of the harbor and its endless diversity of shapes and colors.

With pastel painting l have found the ideal medium to artistically and creatively transform these special conditions of illumination. I love to spread pigment on paper without anything else in between.
Pastel paintings come alive when you put different layers of colour on the canvas. This is a great artistic stimulus for me. Which combination of colour pigments can be used to achieve precisely the effect of light and shade that I want? During the artistic process, layers of colour are continually built up and removed until the light situation has been captured and the picture can unfold its unique illuminating power.