Materials – Page 6 – Astrid Volquardsen

24 Aug 2008

Ordnen meiner Pastellkreiden nach Tonwerten

by Astrid | 0

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Der Tonwert ist die relative Helligkeit oder … Read More

28 Jul 2008

Vergleich von Pastellen nach Härtegraden

by Astrid | 5

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Des Öfteren werde ich gefragt, wie hart … Read More

18 Jul 2008

Plein Air Ausrüstung

by Astrid | 0

Sorry, this entry is only available in German. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language. Meine Plein Air Ausrüstung entsprach bisher nicht … Read More

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About me

I am fascinated by the light conditions of the countryside, particularly in Northern Germany. I grew up in Hamburg so I am used to the rugged countryside and sometimes bleak weather and light conditions. The light in northern country landscapes is very special and it is indescribably beautiful. It touches my soul and opens up my heart when I visit the coast and feel the elemental force of the sea.
As opposed to my seascapes, I am very interested in the closely cropped views of the harbor and its endless diversity of shapes and colors.

With pastel painting l have found the ideal medium to artistically and creatively transform these special conditions of illumination. I love to spread pigment on paper without anything else in between.
Pastel paintings come alive when you put different layers of colour on the canvas. This is a great artistic stimulus for me. Which combination of colour pigments can be used to achieve precisely the effect of light and shade that I want? During the artistic process, layers of colour are continually built up and removed until the light situation has been captured and the picture can unfold its unique illuminating power.